Toutes peintures ā l'huile d'Erastus Salisbury Field
ID Image Painting(From A to Z)    Details 
4019  
Erastus Salisbury Field, Historic Monument of the American Republic
  		 Historic Monument of the American Republic  
31917  
Erastus Salisbury Field, Joseph Moore and His Family
  		 Joseph Moore and His Family   mk77 c.1839 Oil on canvas 82 3/4x93 1/4in
74708  
Erastus Salisbury Field, Josiah Goddard
  		 Josiah Goddard   "Josiah Goddard (1813-1854)," oil on canvas, painted by the American artist Erastus Salisbury Field. 28 3/4 in. Courtesy of the Brown University Portrait Collection, Brown University, Providence, R.I. Date 1838 cyf
89551  
Erastus Salisbury Field, Man at Desk
  		 Man at Desk   c. 1830(1830) Medium oil on canvas Dimensions 13.65 x 10.79 cm (5.4 x 4.2 in) cjr
72899  
Erastus Salisbury Field, painted by the American artist Erastus Salisbury Field
  		 painted by the American artist Erastus Salisbury Field   "Josiah Goddard (1813-1854)," oil on canvas, painted by the American artist Erastus Salisbury Field. 28 3/4 in. Courtesy of the Brown University Portrait Collection, Brown University, Providence, R.I. cjr
4021  
Erastus Salisbury Field, Pharoah's Army Marching
  		 Pharoah's Army Marching   1865-80
4020  
Erastus Salisbury Field, The Garden of Eden
  		 The Garden of Eden   1865
87382  
Erastus Salisbury Field, The Taj Mahal
  		 The Taj Mahal   Oil on canvas Dimensions English: 88.7 x 116.7 cm cyf
88883  
Erastus Salisbury Field, Woman with a Green Book
  		 Woman with a Green Book   1838 Medium Oil on canvas Dimensions English: 88.9 x 74.3 cm cyf
Erastus Salisbury Field
1805-1900 American painter. He studied with Samuel F. B. Morse in New York during the winter of 1824-5. On his return to the rural isolation of Leverett, MA, he painted his earliest known work, the portrait of his grandmother Elizabeth Billings Ashley (Springfield, MA, Mus. F.A.). His career as an itinerant portrait painter began in 1826, most of his commissions coming through a network of family associations in western Massachusetts and Connecticut. The portraits of 1836-40 are considered his best. From 1841 he lived mainly in New York, where he expanded his subject-matter to include landscapes and American history pictures. There he presumably studied photography, for on his return to Massachusetts he advertised himself as a daguerreotypist. His few portraits painted after 1841 are copied from his own photographs and lack the expressive characterization and decorative power of his earlier work. From 1865 to 1885 his paintings were based primarily on biblical and patriotic themes. The Historical Monument of the American Republic (1867-88; Springfield, MA, Mus. F.A.) stands alone in American folk art in size (2.82*3.89 m), scope and imaginative vision. Inspired by plans for a national celebration of the centennial of the USA in 1876, Field painted an architectural fantasy of eight towers linked by railway bridges and trains at the tops, with the history of the USA in low-relief sculpture on the exterior surfaces of the towers. Field added two more towers to the painting in 1888 and thereafter retired.



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